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Slaves to Fashion Black Dandyism and the Styling of Black Diasporic Identity Monica L Miller 9780822346036 Books Download SAV

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  • Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

    Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.


    Monica L. Miller,Slaves to Fashion Black Dandyism and the Styling of Black Diasporic Identity,Duke University Press,0822346036,Ethnic Studies - African American Studies,Lgbt Studies - Gay Studies,Theater - History Criticism,African American men - Clothing - History,African American men - Race identity,African American men;Clothing;History.,African American men;Race identity.,Clothing and dress - United States,Dandyism - United States,Fashion - United States,Fashion;United States.,African American,African American Studies,African American men,American,Black Studies (Global),Clothing,Design/Fashion Accessories,Ethnic Issues,Ethnic Studies,Fashion,Fashion Accessories,Gay Studies,History,History Criticism,History/Social History,LGBT Studies,Lgbt Studies - Gay Studies,Non-Fiction,PERFORMING ARTS,PERFORMING ARTS / Theater / History Criticism,Race identity,SOCIAL SCIENCE,SOCIAL SCIENCE / Black Studies (Global),SOCIAL SCIENCE / Ethnic Studies / African American Studies,SOCIAL SCIENCE / Ethnic Studies / American / African American Studies,SOCIAL SCIENCE / LGBT Studies / Gay Studies,Scholarly/Graduate,Social History,Social Science/Ethnic Studies - American - African American Studies,Sociology,Theater,Theater - History Criticism,UNIVERSITY PRESS,United States,Black Studies (Global),Design/Fashion Accessories,Fashion Accessories,History/Social History,PERFORMING ARTS / Theater / History Criticism,SOCIAL SCIENCE / Black Studies (Global),SOCIAL SCIENCE / Ethnic Studies / African American Studies,SOCIAL SCIENCE / Ethnic Studies / American / African American Studies,SOCIAL SCIENCE / LGBT Studies / Gay Studies,Social History,Social Science/Ethnic Studies - American - African American Studies,Ethnic Issues,African American men,Clothing,Fashion,History,Race identity,United States,Social Science,Sociology

    Slaves to Fashion Black Dandyism and the Styling of Black Diasporic Identity Monica L Miller 9780822346036 Books Reviews :



    Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

    Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.

    Monica L. Miller,Slaves to Fashion Black Dandyism and the Styling of Black Diasporic Identity,Duke University Press,0822346036,Ethnic Studies - African American Studies,Lgbt Studies - Gay Studies,Theater - History Criticism,African American men - Clothing - History,African American men - Race identity,African American men;Clothing;History.,African American men;Race identity.,Clothing and dress - United States,Dandyism - United States,Fashion - United States,Fashion;United States.,African American,African American Studies,African American men,American,Black Studies (Global),Clothing,Design/Fashion Accessories,Ethnic Issues,Ethnic Studies,Fashion,Fashion Accessories,Gay Studies,History,History Criticism,History/Social History,LGBT Studies,Lgbt Studies - Gay Studies,Non-Fiction,PERFORMING ARTS,PERFORMING ARTS / Theater / History Criticism,Race identity,SOCIAL SCIENCE,SOCIAL SCIENCE / Black Studies (Global),SOCIAL SCIENCE / Ethnic Studies / African American Studies,SOCIAL SCIENCE / Ethnic Studies / American / African American Studies,SOCIAL SCIENCE / LGBT Studies / Gay Studies,Scholarly/Graduate,Social History,Social Science/Ethnic Studies - American - African American Studies,Sociology,Theater,Theater - History Criticism,UNIVERSITY PRESS,United States,Black Studies (Global),Design/Fashion Accessories,Fashion Accessories,History/Social History,PERFORMING ARTS / Theater / History Criticism,SOCIAL SCIENCE / Black Studies (Global),SOCIAL SCIENCE / Ethnic Studies / African American Studies,SOCIAL SCIENCE / Ethnic Studies / American / African American Studies,SOCIAL SCIENCE / LGBT Studies / Gay Studies,Social History,Social Science/Ethnic Studies - American - African American Studies,Ethnic Issues,African American men,Clothing,Fashion,History,Race identity,United States,Social Science,Sociology

    Slaves to Fashion Black Dandyism and the Styling of Black Diasporic Identity [Monica L. Miller] on . DIVISlaves to Fashion/I is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise


     

    Product details

    • Paperback 408 pages
    • Publisher Duke University Press (October 8, 2009)
    • Language English
    • ISBN-10 0822346036
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